You rise to your feet and close the trapdoor. The house is really just a room with four walls. The wall closest to you has an unglazed window. Circling the central bole clockwise, you learn that the only other window, similar to the first, is in the opposite wall. The first wall you pass is furnished with a writing desk and a chair, while the last wall is clothed only with a large map, except that these two window-less walls are fitted with small lamps that bathe the interior in a dim light.
Having returned to the first window, you look out. Far below, you can make out the dark forest canopy undulating in the wind. The air is quieter up here: just a light and cool breeze brushes your face and rustles some papers lying on the writing desk behind you. The sound makes you turn around and go back. A small pair of binoculars rest on the stack of papers. You bring them back to the window. Looking through them you scan the landscape, from the near, where the meadow meets the forest, to the far, where the blanket of treetops melds into a barren land that grows craggier and rises to a dark mountain. You linger there. Suddenly your eyes catch a small glimmering point, right there in the ashen slate, as if the rock had been punctured with a needle to let light escape from behind it. You focus the spying glasses and sharpen your eyes. It looks like a cave, darker than the gray of the mountain, and in that cave a shivering, silvery glow, almost pulsating. Could it be a fire with people dancing around it, or maybe a lamp, even a beacon sending some obscure signal to an unknown recipient?
Realizing you can’t glean more information to solve this mystery, you move your gaze to the right, and then it lands on something closer: another impossibly tall oak, which you deem to be very similar to the one you have climbed. Even from this distance you cannot determine its highest point as it disappears in the night sky, but judging by the frail stars visible high above, you presume that its crown dissipates up there. You lower the binoculars to inspect the tree more closely. To your surprise you spy, half-hidden among branches, a wooden hut like this one, with a window facing your way—and in it a figure, silhouetted against a faint amber light. It’s a person, apparently holding something with both hands, but then raising one as if to salute you. You return the gesture. Your mind tries to divine who this could be as you feel an urge to connect. You lower your hand and raise it again, and you get an identical response. But after a while you realize that further communication is impossible at this distance in the dim starlight, so you withdraw into your room—while you observe the other doing the same.
You then decide to cross to the opposite window, which offers an altogether different view: the forest continues until it reaches a glittering expanse below the deep sky. This is the sea. You lift up the spying glasses and see that the forest dissolves into a hilly landscape to the left, rising steeper near the dark waters. The lenses seem to draw you even closer into the landscape until you can make out little roads and houses by the shore, and waves crashing against the cliffs nearby, and there, further out—a ship roiling towards the port. It looks like a large galleon, but its size is difficult to gauge. Curiously, its central mast towers above the other two and carries a grand and singular sail. The sail looks black or dark blue, save for a design in its center that you cannot discern. But the canvas seems to catch the shimmering of the waves—or the starshine itself.